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Chuo-ku Tourism Association correspondent blog

Introducing Chuo-ku's seasonal information by sightseeing volunteer members who passed the Chuo-ku Tourism Association's Chuo-ku Tourism Certification and registered as correspondents.

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◆History Lecture "Edo's Origin and Koto Region"-May 22, "Bouquet 21"

[Akira Makibuchi / Sharakusai] May 23, 2013 09:00

Chuo-ku Easy History Lecture "Edo's Origin and Koto Region" was held on May 22 at the Municipal Women's Center "Bouquet 21" (photo). This is an open lecture designed to learn the history of Chuo-ku, and was organized by the Chuo-ku Cultural Properties Supporters Association, a town walking volunteer guide group.

 

0913_531_130522rekisikoza.jpgLecturer is Takeo Kusome, Deputy Director of Nakagawa Funabansho Museum in Koto-ku. How to enjoy historical walks from the perspective of researchers in the early modern period (Edo period) is helpful.

 

The Nihonbashi, Kyobashi, Hatchobori, Shinkawa areas, etc., which were the centers of Edo, were explained about how the town development of the capital, Edo, and how urban functions were developed by unraveling the formation of Edo from a geographical point of view. Was taken up and explained. From the early Edo period, along with the expansion of urban areas, the Fukagawa and Honjo areas in the eastern part of the Sumida River will also be developed.

 

In 1680 (1680), according to the pictorial map "Kasai Shi", "Genso Kiba" in Motozaimokucho (now Nihonbashi) burned out in a fire in Okemachi (now Yaesu-be) in 1641 (1641) was relocated to the Fukagawa River, along the Sumida River, along the banks of the Sumida River. What is interesting in this figure is the location where Tomioka Hachimangu Shrine was facing the seaside. The area near Kiba Station and Toyocho Station on the current Tokyo Metro Tozai Line seems to have been in the sea.

 

By learning about the history of Chuo-ku from the surrounding area again, I was reminded of the depth and spread of Edo, a city built over 265 years. @ Akira Makibuchi

 

 

 

 

◆There is a history here in Chuo-ku (53) Kiyocho Torii and Nihonbashi 200 years after the death of a beauty painter born in Nihonbashi, rebuilt the tomb at Kaikoin.

[Akira Makibuchi / Sharakusai] May 17, 2013 09:00

A picture signboard that decorates the front of the new Kabukiza Theater. The picture signboard with performances and characters has been painted by Torii-style painters for over 300 years. During the Tenmei era, the fourth generation head of the Torii school, Kiyonaga Torii (Torii Kiyonaga), played an active part in beauty paintings. Kiyocho was born in Motozaimokucho, Nihonbashi, and after his death, he was buried at Ryogoku Kaikaiin, but the tombstone had disappeared. Therefore, the Torii Kiyocho Monument (pictured) was rebuilt to commemorate the 200th anniversary of his death.

 

0913_53_130516toriikiyonaga.JPGKiyocho Torii was born in 1752 in Shirokoya, a bookstore in Motozaimokucho (now Nihonbashi). This area is said to have been called "Shinba Kiyocho" because there was a new appetizer (commonly known as Shinba) on the west side of Kaedegawa.

 

At the age of 19, he claimed to be Kiyocho, escaped the style of the Torii school specializing in actor paintings, and demonstrated his skills as good at beauty customs paintings. The slender beauty painting style of eight heads against the backdrop of Edo famous places is called "Venus of Edo". Along with Harunobu Suzuki, Utamaro, Sharaku, Hokusai, and Hiroshige, he has been recognized as six major Ukiyo-e artists.

 

In 1787 (1787), the 4th generation of the Torii family was named. Since then, he has devoted himself to picture signs, numbers, yellow covers, picture books, etc. of the Torii family's family business. 1815 (1815) He died at the age of 64.

 

Kiyocho's tombstones were lost at Ryogoku Kaikaiin in burial ground due to disasters such as the earthquake and war. In the 200th anniversary of his death, a tombstone honoring his painting was planned, and a new Kiyocho monument was erected in April. Komatsu stone with a height of 2.1m and a width of 2.0m, and a bronze plate inspired by the representative work "Yuyo Okawabata" is embedded in the center. @ Akira Makibuchi

 

 

 
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