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[Shitamachi Tom]
June 22, 2012 14:00
Tsukishima celebrates its 120th anniversary this year. In retrospect, I would like to introduce some of the charms of Tsukishima, which has been spinning history since it was completed as the first Tsukishima site in 1892 (Meiji 25), entitled "Seven Wonders". Thank you very much.
 In the first place, Chuo-ku was the start of landfills in Tokyo Bay. At the beginning of the Edo period, there was a small island [Ishikawajima] at the mouth of the Sumida River, and as you know, Tsukuda Island was built in 1644 (Shoho Gen). After that, the residents of Tsukuda Island played a central role in the development of the current land at Tsukiji, so there is a history of land development for nearly 400 years.
Furthermore, when the times went down and entered the Meiji era, sediment was deposited further south of Tsukuda Island, and the water depth became shallower. Therefore, it is the current [Tsukishima] that dredging around this area was carried out extensively and a new land was created with the fried soil.
The first landfill in Tokyo Bay was given the name of [No. 1]. Since then, this numbering has been inherited and spread to the current Ariake and Daiba districts. The Metropolitan Expressway Wangansen's [Sinkai Fukutoshin Exit] was called [13 Exit] until a while ago. This is also a remnant of the former landfill plan.
The special exhibition, which conveys the history and culture of this area, is currently being held at [Local Tenmonkan] until July 1st. On the blog dated May 19, "Sharaku Sai" reported in detail, so please take a look. It's quite impressive.
◆Local Tenmonkan special exhibition "Hundred Views of Tsukishima" is being held ~ May 19-7/1 ~
 By the way, I think that the starting point for the [Tsukishima] walk is often mainly [Tsukishima Station]. I used to live in this area, but until the subway Yurakucho Line opened in 1988 (Showa 63), there was only public transportation, which was quite inconvenient. Now it's convenient to go through the Oedo Line. Before and after the war, Toden was running on Kiyosumi-dori, which was a valuable foot of the residents. (The photo shows near the Tsukishima-dori 8-chome stop around 1968. Around the current subway Kachidoki Station. Quoted from Ikaros Publishing Tokyo Toden)
 Tsukishima has [Tsukishima Kumin Center] as a branch office of the Chuo-ku government office. There is also a library, which is popular not only as a point of contact for administrative, but also as a base for local exchange and learning.
Tsukishima has changed drastically in the last 10 years, while retaining the atmosphere of a downtown area full of humanity. The number of row houses in old alleys was gradually decreasing, and the number of apartments increased.
I would like to tell you about the changing profile of Tsukishima from now on.
Let's rediscover the charm of Tsukishima.
More The Seven Wonders of Tsukishima-"Introduction"
[Shitamachi Tom]
June 14, 2012 12:30
As you all know, Chuo-ku also met in the center of the history of Japanese theater. [Mitsukoshi Theater] boasts a tradition alongside [Kabukiza] and [Shimbashi Enbujo] [Meijiza], which are undergoing renovation.
 Located on the 6th floor of the Mitsukoshi Main Store in Nihonbashi, this theater feels like a "small luxury theater" rather than a large theater. According to the official website, it was opened as [Mitsukoshi Hall] in 1927 (Showa 2), and reopened under the current name after the war after closure during the war. In addition to performances of Kabuki and various theater companies, rakugo and Japanese music performances are also performed, making it a familiar theater.
 The structure is also elaborate, and the walls made of marble and the ceiling fitted with stained glass create elegance and calmness. It makes you feel as if you were a European opera house. Various patterns are also decorated on the ceiling of the central passage, and I am impressed by the work of pre-war craftsmen without cutting. There is also a lion-like pattern inside, and it seems to represent the pride of Mitsukoshi.
On this day, the performance of "Theatrical Company New School" "The Wife of Seishu Hanaoka" was performed. Yaeko Mizutani and Kuriko Namino, the two largest new schools, performed enthusiastically and attracted the audience at the venue.
 By the way, "Theatrical Company Shinsei" is said to be the starting point of the theater company "Dainippon Soshi Improvement Theater Company", which was launched in Osaka in 1888 (Meiji 21). I guess those who are said to be a little resentment after leaving the morale asked for something new in the theater world. Somehow, it seems like a naming reminiscent of the Meiji era's advanced challenge spirit. After that, the traditional drama represented by Kabuki was compared to the "old school", and the name "new school" was given.
Therefore, the “New School” will celebrate its 125th anniversary next year. Recently, the number of promising young actors has increased, and I look forward to the development of this theater company. The current performance is open until the 23rd of this month. If you have the opportunity, please enjoy the atmosphere of the Mitsukoshi Theater and go out to the theater.
More Mitsukoshi Theater and New School Performance
[Shitamachi Tom]
June 12, 2012 13:00
From June 7 (Thu) to 10 (Sun), the Tsukiji Lion Festival, a festival at Tsukiji and Namiwa Inari Shrine, was held. Many other festivals are introduced, so this time I will approach the back of the operation.
 The flower shape of the festival is the imperial procession of portable shrine, but the gorgeous stage has contributed to many people.
First of all, the people who carry the portable shrine. Originally, it is true that Ujiko is responsible for it, but now alone is not enough, so many festivals have the cooperation of so-called "clubs". The club members are invited to festivals around the Kanto region to cooperate with the portable shrine cruise. Everyone likes festivals, likes lively things, and is energetic. It seems that there are times when they support each other in a distant town.
 Music is also an important factor in enhancing the atmosphere of the festival. People called "Obayashi" play flutes, gongs, and drums well in Riz to excite the mood. We will continue to practice steadily on a daily basis and protect the sound of the Edo atmosphere.
 There is also the role of gohei. It not only leads the portable shrine, but also serves as God's dependency or as a purifying cruiser. It is an important tool because there is no mikoshi in some regions and there seems to be customs over the region with only gohei. Gohei mochi was originally a rice cake, and was named because it resembles this shape.
It is the head of peace that signals the interval at the milestone of portable shrine's cruising. Flapping is called "slap tree". There are similar conventions in Kabuki and Sumo. Since ancient times, the pillars of wood have been regarded as sacred as the place where God dwells. It is said that the ancient shrine was a pillar. In other words, claps seem to have the meaning of "protecting God's place". At festivals, the sound plays a role in exorcing evil spirits and promoting rituals.
In addition, many people will protect the festival in their respective roles. There are many people who are struggling in an inconspicuous place, including preparation and cleaning up. I think a festival is a comprehensive performance of "joining the power of the community".
In Chuo-ku, festivals such as "Tsukuda / Sumiyoshi-jinja Shirine" and "Fukagawa Hachiman" will be held after this. We hope that each region will cherish this traditional event. It was a few days when I felt the connection of people and the joy of bustle.
[Shitamachi Tom]
June 6, 2012 08:30
It seems that the number of music lovers of the father generation is increasing recently. In particular, many people play their own musical instruments and demonstrate their abilities in performing and singing. I feel that the power is expanding year by year, such as the “Oyaji Band” tournament is held.
Here in Tsukiji, the star band "Honeys", led by a locally grown vocal and leader, shows the significance of existence. The leader, Massa, has the talent to have performed with professional singers abroad. The members are also talented people with all their individuality, and the atmosphere of the group is very friendly. Everyone, of course, has a good job and shows the faces of musicians beyond their hobbies. In fact, guitars and songs are getting more and more polished over the years.
The live is rented on the floor of a local specialty coffee shop [Tsukiji Chabo] and is mainly held on Saturday night at the end of the month.
Not only the locals, but also long-lived fans are packed and always full. A stage filled with heat will be developed.
In such a gathering, it is natural to enjoy music, and it is wonderful that the audience relaxes with a sense of unity and expands the circle of communication with nature. Music has a mysterious effect that jumps over time and space and connects people's hearts.
 Surrounded by the friendly and warm cheers of the people, this night's Honeys also listened to the soft harmony and accompaniment that made you feel personality. With the breath of the venue, this is a social gathering place.
I think there are many other steady artists in Chuo-ku that support the richness and vibrancy of the town. I believe that this region will develop as a land that fosters sensitivity. 
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In the first place, Chuo-ku was the start of landfills in Tokyo Bay. At the beginning of the Edo period, there was a small island [Ishikawajima] at the mouth of the Sumida River, and as you know, Tsukuda Island was built in 1644 (Shoho Gen). After that, the residents of Tsukuda Island played a central role in the development of the current land at Tsukiji, so there is a history of land development for nearly 400 years.
By the way, I think that the starting point for the [Tsukishima] walk is often mainly [Tsukishima Station]. I used to live in this area, but until the subway Yurakucho Line opened in 1988 (Showa 63), there was only public transportation, which was quite inconvenient. Now it's convenient to go through the Oedo Line. Before and after the war, Toden was running on Kiyosumi-dori, which was a valuable foot of the residents. (The photo shows near the Tsukishima-dori 8-chome stop around 1968. Around the current subway Kachidoki Station. Quoted from Ikaros Publishing Tokyo Toden)
