In the New Year, as usual, four seats in Tokyo are competing for early spring play. One of the pleasures is to worry about which one to look at while consulting with your wallet. On the 10th when the pine was removed, we first went to Shimbashi Enbujo. This is a hot topic of the performance of "Keisei" through the new project. It is said to be a combination of Kabuki 18th "Keisei", "Kanba", "Removal" and "Kamabe". I went to the hall with excitement with shrimp fans about what was completed.
What attracts your eyes when you enter is the curtain with shrimp drawn. Certainly, the twelfth generation Danjuro was drawn in commemoration of Ebizo's attack! Something that comes a bit jean to remember. A great success with almost full capacity due to the ability to attract customers. We set up in the middle of the second row for a companion saying, "I want you to look at it and get the energy of this year."
Becomes "Kanba" or hits six parts to Shiro Mihoya and "Kamahige" of "Shikorohiki", "Akoya" is "Oiran Michinaka" (I saw it for the first time), and Funassy and Kumamon are appearing and laughing. The highlight is "Gokuwari", where Tsugaru Shamisen, Osatsuma, and Nagauta compete. A 9-meter-long shrimp appeared and the shrimp could be found on a huge offering rice cake, and the audience was delighted. The last curtain, "Removal," is an interesting taste that creates a "Sansho seat" that imitates the "Arhat seat" of the Edo period on the stage, and 14 people each above and below (2,000 yen). The Sansho seats are in the position of "self watching the stage" and "self seeing" from other customers. It's a short time, but I can't break my seat, so it might be quite tight. 。 。 But the shrimp was a close distance of about 30 cm, so the companion seemed to be "envy."
I enjoyed the gorgeous and grand "first play" like New Year's and went home while saying, "The most fun thing was the shrimp."
Until the 26th of "Shousansho Keisei"
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