Chuo-ku Tourism Association correspondent blog

Since I read Miyuki Miyabe's "Heisei Walking Diary", I have long thought "I'm someday", and I found this perfect project called "History Walk in Chuo-ku 2011 Autumn" and immediately participated. .

Today, there are 19 participants, and the guide is "Cultural Property Supporter" in Chuo-ku, where the cap with the "Kaishu Katsu" mark stands out. Most of the participants gathered on the south side of Eitai Bridge Nishizume at the meeting place are regulars who participate in the group, and 2-3 people, including me, participated for the first time. Thank you for the warm and comfortable walk weather in the sunshine of Koharu.

The repatriation route from the bridge to Sengakuji Temple is the ruins of the bridge to the Sengakuji Temple, according to the "Shinjuku Shokuikusho" of Gishihara Souemon and Sukeemon Tominomori's "Sukeemon Tominomori written" of Sukeemon Tominomori, "The streets of the streets are Gozasoro on the rite-day rituals, from the ruins of Shinbashi Bridge to the bridge, from the bridge to the bridge to the bridge, the bridge to the bridge, the bridge, the bridge of the bridge of the bridge, the bridge of the bridge, the bridge of the bridge to the bridge to the bridge of the bridge of the bridge of the bridge to the bridge of the bridge, the bridge of the bridge of the bridge of the bridge of the bridge of the bridge of the bridge of the bridge to the bridge to the bridge to the bridge of the bridge of the bridge
In the play, at the time of withdrawal, the figure gathered at the base of Ryogokubashi is a standard, but the 15th day after the defeat was one of the days of climbing to Edo Castle, so avoid the climbing procession and pass the back road It seems correct to have passed.

Explanation in front of Toyomi Bridge

Horibe Yasubei Takeyuki Monument at the base of Kameshima Bridge

It seems that Anbei's residence was located in Kyobashi Nagatani-cho, but other descriptions are often erroratic in terms of historical facts.　　　　　　　　　　　　　　　　　

Look at the old map and walk while listening to the explanation of the supporter. "I'm sorry that Reigishijima, Shinkawa, Echizen moat, etc. from Toyomi Bridge to Takahashi have been completely transformed." Since the position of the bridge has changed or many places have been reclaimed, it is difficult to check where you are walking.

"Fujizuka" of Tepposu Inari Shrine This Inari Shrine was located on a riverbank near Inari Bridge over Funairi moat in Hatchobori during the Edo period, and was called "Minato Inari". Moved to its current location in 1868. If you look at "Minato Inarisha" in the "Edo Famous Zoukai", you can see "Inari" and "Fuji" right next to "Inaribashi".

Stone monument of "Tokyo Historic Site Takumito House Ruins" is located on the corner of the site of St. Luke's College of Nursing. This is the place where the Akaho clan Asano family residence was located.　　　　

 Regular participants explained at the point points, saying, "It's a bit different," and the friendly and friendly interaction between familiar people was fun, and I continued walking for two hours. It's dissolved in front of Peace pagoda. "When is the continuation to Sengakuji?" (Chuo-ku is off. ・It was a great success with the voice of expectations for the next project.

Description of Shime in front of Shinroku Hazama Peace pagoda.

It is a legend that Shinroku Hazama tied Kaneko to a spear carried in the middle of the withdrawal and threw it into the fence of Tsukiji Honganji as his own memorial service, and this Peace pagoda is built.

"History and Sightseeing Town Walking in Chuo-ku" has 8 courses such as "Walking the roots of Edo Tokyo 400 Years" and "Ningyocho History Walk", and you can apply for groups of 3 or more for about 2 hours. For application, Chuo-ku Tourism Association: TEL3546-6525 For inquiries about training courses for "Cultural Property Supporters", TEL3546-5526

 

 

Do you know "Shintomiza Children's Kabuki" by children in Chuo-ku?

In Chuo-ku, the birthplace of Edo Kabuki, I am impressed by the young generation still working hard to inherit that tradition.

Today's stage is the central hall on the 1st floor of Nihonbashi Mitsukoshi, a large stage commemorating the 60th anniversary of the Chuo-ku Shopping Street Federation!

When I was waiting with a light feeling, "Is the little kids dancing cute?", I was surprised at the dignified dance for a while.

 

I'm impressed by the dignified appearance of the screen behind, even more the statue of the heavenly woman! The crowded customers and foreigners were watching closely. By the way, today's performances are "Kotobuki-style Sanbaso" and "Shiranami Five Men". Even as an adult, it seems difficult to understand properly.

 

I was watching at the end, so I saw a little at the back of the stage sleeves, but the little kids actors waiting for the turn said, "Wow, I'm nervous!" I could see what I was saying, and this was a childish and smiling!

 

From the children's hard work, we are sure to get power.

The next performance will be the "Setsubun Festival" at Tepposu Inari Shrine on February 5, next year, so please look forward to it!

 

Shintomiza Children's Kabuki http://www.ne.jp/asahi/shintomiza/kk/index.html

 

 

 We will give you a hint for the "Chuo-ku Shopping Street Federation 60th Anniversary Treasure Hunting Game".

(← From November 17, 2011.
It has been slightly changed from this notation.)

Of course, it's not in the water.　Let's pay tribute to the festival that our predecessors have carefully protected.

 

Only good men and women can visit Suitengu. Please pray for the health of your children.

 

Then, while studying history, please enjoy the treasure hunt. For information on treasure hunts, see http://www.takarush.jp/promo/chuo/.

 

 

 

Matsushima Shrine: 2-15-2 Nihonbashi Ningyocho 　　

 It is a shrine that is said to be infinite treasures, fulfillment of great wishes, and spiritual experiences.

It is also included in the Nihonbashi Seven Lucky Gods Tour, which departs from the Mitsukoshi Main Store on New Year's Day.

Before the Great Fire of the Meiryaku era (1657) took place, there were many playhouses around it, so it seems that there were many worshipers, kimono merchants, Kabuki actors, and geisha.

The "Rooster Market" in November is still a grand event and seems to have been a entertainment district in the past.

　　　　　　　　　　 　As lucky items, kumade is sold from the point where the eagle "grab" prey, and other "golden mochi" and "sansho mochi" made of "head potatoes" chestnuts are sold.

It was also a prevention of colds in winter.

Recently, "Ryomu" bills have been sold, and many young people worship.

　　　　　　 　　　　Every year kumade has a custom of buying a "big kumade."

　　　　If one price is "San,000 yen", it seems that the price should be "20,000 yen ..."

　　　Don't forget to put 10,000 yen if you can buy it for "20,000 yen" as "Fuse" ...

　　　One thing, when kumade sells, applause of "337 beats" occurs.

　　　I applauded with everyone, too.

　※　In the past, my grandmother Chama had bought in Tori-no-ichi Fair, "kumade's Kanzashi" on her hair ...

　　　A friend who went with me told me. 

　　　　　　　　　　

 

 

On the weekend of Koharu weather, the 63rd Chuo Ward cultural festival Exhibition was held at Tsukishima Social Education Center.
A total of 627 works were exhibited from 42 groups and individuals as a place for circles to enjoy painting, photography, Japanese calligraphy, handicrafts, crafts, ikebana, Haiku, etc.

   

 

   

 

 

   

At the venue, there are also experiences such as making Oshie and carrying straps made with braids, etc.
Visitors also enjoyed the perfect time for the autumn of culture.

This year's exhibition ended on the 13th, but please come again next year.
It would be nice to participate in a circle of interest and exhibit the work (by the way, my husband exhibited the Arabic calligraphy work in the photo).

 

 

　On October 30, 2011, a presentation of the naming of the street was held and went there.

First of all, as a greeting, Mr. Matsujiro Takasaka, chairman of the Ginza Nishihachimachi Association, explained the background of the naming.

Next, as a table talk, the lecturer was a young master of Shimbashi Ryotei Kanadanaka, president of the Tokyo Shimbashi Association, and a geisha in Ginza connected from late Tokugawa shogunate to the present. If I would like to introduce the details, the roots of Shimbashi Geisha are:

―――He lent the home area given by Mr. Kinharu Tayu to a performing arts teacher, and since the teachers had many beautiful women, they were called to welcome and welcome the daimyo residence.　Mr. Tokiwazu Mojiwasa of Kinharu Performing Arts Village, got permission to take care of the elderly in Edo shogunate at the time, and performed the arts, which was the basis for the Hanayanagi world. Was.―――

　late Tokugawa shogunate, the young samurai who came from the West with the rejection of the Emperor, were not treated at the finest Yanagibashi at the time, but Shimbashi Geisha warmly welcomed him.

As a result, in the early Meiji era, Yanagibashi, which inherited the culture of Edo, Shimbashi, the emerging city Shimbashi, and the Shimbashi Hanayanagi world developed before it was called Shinryu Nikyo, but also secret stories were introduced here Was. --When the Tokaido Line opened to Nagoya, Kaoru Inoue from the Choshu clan, who had served as a former Meiji elder, Foreign Minister, Minister of Agriculture and Commerce, Minister of Internal Affairs and Communications, and Minister of Internal Affairs, borrowed a train from Shimbashi Station to Nagoya Station. He invited Shimbashi geisha to the Hanayanagi world in Nagoya, where he danced.　At that time, Nagoya seemed to have been very active in both business and performing arts since the promotion of Owari weather in fighting with Yatsushiro Shogun Yoshimune. 

Unfortunately, the dance of Shimbashi Geisha at this time was not well-received in Nagoya, and told geisha, Nagoya, "When I heard from far away from Tokyo, I thought it would be pretty beautiful, but it was never big if I saw it nearby.　It was as if he was abused as "Gifu lantern" and was shameful and felt very frustrated.　When I dropped my shoulders and returned to Shimbashi, a heavyweight of the land started a year. We welcomed a first-class teacher called Soke Iemoto from all over the country.　It was said that the desire to practice and dance better led to the construction of Shimbashi Enbujo in 1925.

Finally, a wonderful dance was performed.　The dance is Nagauta "Hinazuru Sanbaso"

The cube (dance) was Kimiya, Hidechiyo, and the locals (performances such as shamisen) were Kinuko, Teruyo, Yurako, Akiko, and Fumie.　With a wonderful dance and permission, I will show you one piece. 

 

I'm looking forward to next year's "Dori East".　Click here for the report of this year's "East Odori". http://www.chuo-kanko.or.jp/blog/2011/05/87.html