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Ebizo-san, who returned to Shimbashi Enbujo in July

1. July 12, 2011 08:30

Ebizo Ichikawa, who had been modest since last year's "incident", returned to the stage for the first time in nine months, seems to be more social news than the Kabuki world in July.


That's why I'm still in a state of jet lag, and I went to noon on the 8th. The companion was an enthusiastic fan who followed the performance in London in Paris. I'm afraid I can't help but feel calm. "It's okay because the first day is open," said the outfield irresponsible. After all, the day part is sold out shortly after release! It's a great success. There are also many celebrities seen on TV in the audience. There is no doubt that it is one of the actors that "customers can call" in a box office, although there is a topicality. And when you stand on the stage, you can see "Hana" and "Aura". The Tale of Genji, a Kabukiza Theater in 2000 during the Shinnosuke era, still remembers the staggering and sweeping up in the audience for unintentionally when he appeared on stage.


The performance of the return stage is Togashi of "Kanjincho" since the Ebizo attack performance in Tokyo. It means "go back to the beginning and start again." Benkei is Danjuro and Yoshitsune is Umetama. Among the Nagauta members behind the stage, the Tachiuta Misaho is next to Mitaro of the Tateshamisen next to Mitaro of the Tateshamisen, and it seems that it is the 18th Nagaishi Ichikawa Muneya. When the five-colored banners are rolled up and Togashi appears, applause is just broken in the hall. "Waiting" fans' applause was warm. I heard a whispering voice saying, "I'm a little thin." Even so, I really sigh in the appearance of Nishiki-e. First of all, the curtain went down safely.


The daytime section is "Torii-mae" and "Yang Gui-hime", and the nighttime section is "Yoshie Kotobuki Soga", "Shunko Kagami Lion", and "Edo Yuei".

 

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