The other day, I went on a tour of Fuji Five Lakes.
Mount Fuji existed in a stunning balance over the lake surface of Lake Motosuko against the clear and clear sky.
Combined with the cherry blossoms that bloomed in a nearby park, it is a design on the back of the 1,000 yen bill that you will see every time something happens.
I feel like I've got it.
While having such an uplift, I went to the "Monet Museum" with a bank ticket connection.
The place is 1-3-1 Nihonbashi Honishicho, Chuo-ku.
The head office of the Bank of Japan is now at the heart of Japan's economic activity. The museum is located in front of it.
It is well known that the main building of the Bank of Japan, designed by Dr. Kingo Tatsuno, was built on the site of Koza in Edo.
Every time I passed through Edo Sakura-dori St. in front of the museum, I wanted to enter, but I just missed the opportunity.
The security seemed to be severe, the admission procedure seemed to be troublesome, and when I thought so, I passed by despite the free admission fee.
However, when I actually entered the museum, I was absorbed in the fun of the exhibition.
When you look at the money, it's strange that the tension rises.
"Gold, gold, my money," the scene in which villains scatter banknotes and drown into the sea of money can be set in common in any era.
Just looking at it, you can see that the villain's feelings move and the adrenaline erupts.
"Echigo-ya, the dog is also evil."
"No, it's as much as a deputy."
"Uh, Uhhhhhhhhhhhhhh.
From the confectionery folded between the two, the oval glows in the black color.
From the museum's exhibits, such scenes can also be floated.
It's a very serious exhibition, but the imagination of the viewer wins too much and runs in the opposite direction.
The technology to prevent counterfeiting of banknotes is something that can be used as a conversation story even tonight.
Speaking of which, I've never observed so much money.
It is easy to understand, as historical figures explain the process of their policies from the perspective of money, with new awareness.
How did the warlords effectively collect and utilize gold, silver, and money in order to protect their territory and expand their power?
In conjunction with mining development technology, you can see that it was the cornerstone of the strategy.
The godly behavior of warlords could have been carried out for the first time, backed by solid economic power.
Nevertheless, when we go through the flow of history from the exhibits, we notice that a large amount of gold and silver have flowed out of Japan at key points.
Considering the enormous production of gold and silver in Japan, which was possible, I was able to once again know the brilliance that was called the "golden country" Zipang.
At the gift corner of the Currency Museum, I purchased a face towel of Yukichi Fukuzawa's Bank of Japan.
(I buy it at a vending machine.)
Let's use up this 10,000 yen ticket every morning when you wash your face.
