Otake Dainichi Nyorai Engi
Otake Dainichi Nyorai came from Shonai, Yamagata Prefecture in 1640 (at the age of 18), and was the servant of the Magome family of Edo-dai Temmacho at that time, was sincere and kind, and even a single grain of rice, It was alwaysDainichi Nyorai's selfishnessMt. Haguro. The master is surprised to stop selfish work and builds a Buddhist temple, and then enters the path of Nenbutsu, which spreads throughout Edo city and worships Otake, it is said that the number of people who come.
In the song written by Mr. Otake
Hands and feet are busy, but Minami Amida Buddha
Leave it to your mouth and heart
May 1680 The Year of the Year Ending
In the song of Katsura Shoin's mother hall of the fifth shogun Tsunayoshi
Thank you, the end of going with light
Flowers in Bamboo Day
The famous Otake well, which is said to have been loved by Mr. Otake and the poor have formed a city, was here.
May 1971 Kichijo
Historic Sites at Take Dainichi Nyorai Preservation Society
Ozu Museum
(From the Internet Museum site) Two years (1653) Ozu Seizaemon Nagahiro departed from Ise Matsusaka and opened a paper merchant in Edo-dai Temmacho (currently the head office building), We have opened the "Ozu Historical Museum" on the second floor of the head office building, which displays and displays the relationship between paper and the history of Ozu, which has developed more abundantly.
To date, about 1,200 items of ancient document, which have been designated as Tangible Cultural Property registered in Chuo-ku, Tokyo, have been exhibited and released. Please take a look at the history of Ozu 360 years.
Monument of Kanmu Magome (derives of Bettara City)
In the construction of Edo Castle by Ieyasu Tokugawa, Hoda Village was forced to relocate due to the expansion of the castle. Kanmu Magome, the retainer of the music, moved to the present location with the residents, in order to serve the main deity, the guardian of Hodamura.
Thanks to accomplishing this great work, Kanso Yu became the leading master of Edo, and the annual royal charge was the highest of 210 cars. Later, he became a director of Mi Demma and was awarded Ebi Jujin, who prayed for the prosperity of the Tokugawa family, and enshrined at Hoda Shrine to pray for the peace of Edo.
sacred object of worship is said to have been created by the famous master Unkei of the Kamakura period, and since then the city has been opened on the eve of Ebi Juko on October 20 as a guardian deity of commerce.
Along with sea bream and household miniature shrine used for Ebi Juko, Edo's specialty Asazuke radish is sold, and the seller approaches the koji attached to the radish to the young woman's kimono. "
It has lived for 401 years of Ieyasu Tokugawa's Tode-fu, and a monument is erected here in honor of the achievements of Kanzo Magome.
Shuga shore
Location 2-4 Nihonbashi Honmachi, Chuo-ku
In the past, there was the Nishiboridome River, a moat created by filling the river in the early Edo period. This moat entered the north from Edobashi, and on the east side of this street, Funairi moat was turning west. At the end of the key-shaped bent, Dojo Bridge and Unmo Bridge were built, and the northern shore between the bridges was called Shuuga shore. It is said that during the Edo period, there was a salt wholesaler here, so it came to be called so.
In the "Edo Famous Zoukai", an illustration entitled "Isecho River Bank Rice Bank Shuga Bank" is posted, so you can learn about the past situation. In 1877, the Tokyo government designated the opposite bank as "Minamishio Riverbank" and the north bank as "Kita Shuuga Coast".
March, 2000
Chuo-ku Board of Education
Ruins of Anjin Miura Yashiki
William Adams was born in Kent, England in 1564 AD, and came to Japan in 1600 (1600) and was greeted by Ieyasu Tokugawa and entered Edo, where he was given a mansion. He achieved achievements in shipbuilding, artillery, geography, and mathematics, and later became an advisor to the diplomacy of Ieyasu and Hidetada, contributing to Japan-UK trade, etc., and died in Hirato on April 24, 1620 (1620). .
The Japanese name Anjin Miura has a territory in Henmi Miura, Sagami country, and was also a voyage chief, and this area was also called Anhari-cho until the early Showa era.
Kyodai Shoran
(From Mitsui Fudosan Site) The Nihonbashi Nihonbashi Preservation Society and the Nihonbashi Regional Renaissance 100-Year Planning Committee have installed a reproduction picture scroll of "Kyodai Shoran" covering about 17 meters on the basement concourse wall of the Mitsukoshi-mae Station on the Tokyo Metro station today (November 2009) to allow visitors to experience the charm of the city.
The "Kidai Shoran" picture scroll is a valuable emakimono that overlooks the main street (currently Chuo-dori) from Nihonbashi to Imagawa Bridge around the second year of culture (1805) from the east side, and carefully depicts the culture of townspeople during the Edo period. With the installation of this reproduction picture scroll, it has become possible to appreciate "Kidai Shoran" in Japan as well.
"Kyodai Shoran" means "the scenery that is right away", and this picture scroll is described as "Kyodai Shoranten", and all three volumes of "Tenchijin" There is a possibility, but the other volumes are currently unknown. The title was drawn by Toshu Sano, a famous calligrapher at the time. In addition to 88 wholesalers and shops along the road, there are 1,671 people coming and going, 20 dogs, 13 horses, 4 cows, 1 monkeys, 2 hawks, and Japanese shop curtain, signboards, flags, etc. In addition, it is said that many of the buildings were burned down by the "Hinoe Tora Fire" in 1806, which is a valuable record just before that.
The Meibashi "Nihonbashi" Preservation Society and the Nihonbashi Regional Renaissance 100-Year Planning Committee regard "Kidai Shoran" as a valuable work that conveys the history and culture of Nihonbashi to future generations, and obtained permission to produce and install it from the Berlin National Asian Museum of Art, It was reproduced under the supervision of the Edo Tokyo Museum.
The painting part of the duplicate picture scroll creates image data for printing, which is about 1.4 times enlarged from the color position film owned by the Edo Tokyo Museum, and prints clearly on Japanese paper to faithfully reproduce the original picture. We used a printer, output it to eight pieces of Japanese paper, and then processed it into one piece. The panels surrounding the paintings contain commentary on the townspeople's culture of the Edo period, such as buildings, occupations, and business.
