The exhibition "Spatial Erosion" by Daiya Yamamoto is being held at REIJINSHA GALLERY, a gallery located in Ginza 6-chome.
The gallery is located on the first basement floor of the Mitsuwa Building, and the first floor is "Jewel Miwa" (see map
below).
Located at the intersection of Miyuki-dori and Nishi-Gobangai-dori, the entrance to the gallery faces Nishi-Gobangai-dori.
The period is from Friday, November 10 to December 1 (Fri).
The time is from 12 to 19. Please note that the last day will be until 17:00.
Closed on Sunday, Monday and public holidays.
When I saw the work, I was overwhelmed by Yamamoto's skill.
It may be accurate 
to say that the judgment of whether it was overwhelmed or whether this was really drawn was not understood even at close distance by attaching the face to the work, and that it was very confused.
The work below is a masterpiece with the height of a person, but there is only one real "handle" in this, do you understand?
Except for one, it is a "handle" drawn.
The staples' needles, thin threads stretched, and their shadows are drawn on the canvas, so they appear out of the picture.
A stapler needle in the blue part 
of the above work is drawn.
The work itself looks like it's plunged into the wall of the gallery, just the "space erosion"
In Western Europe, etc., we often see Tromp Leuille (deceiving paintings) on the wall decorations of churches and palaces, but Yamamoto's work is just as realistic as the material we usually see.
It seems to be terrible, but all the works below are also drawn.
"Seeing doesn't seem at first glance,"
On REIJINSHA's website, there was a comment saying, "Please experience" self being deceived comfortably "", but that's exactly right.
Please come to the gallery, see it with your own eyes, and be fooled.
Regarding photography 
and coverage at the gallery, the gallery and Mr. Yamamoto gave their consent and cooperation.
Thank you very much
This is not a picture.
Click here for the website of REIJINSHA GALLERY. ⇒
