Chuo-ku Tourism Association Official Blog

Chuo-ku Tourism Association correspondent blog

Introducing Chuo-ku's seasonal information by sightseeing volunteer members who passed the Chuo-ku Tourism Association's Chuo-ku Tourism Certification and registered as correspondents.

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CENTRE, a bread specialty store celebrating its first anniversary.

1. June 23, 2014 14:00

100_1419.JPGCENTRE, which opened on June 22, last year, celebrated its first anniversary. I was interested in whether a new business format called "Ban specialty store" would be established, and I sometimes looked into it. To be precise, I was the most time in a family who loves bread, so I was ordered to be a "buyer". As you all know, we introduced it in early July, shortly after opening, and it quickly became famous as "Bread that can make a line." Today, I came to visit the eat-in in the store, which had no chance.

But I also wanted to buy bread, so when I told the clerk side by side in the line of bread, I was given a number tag and said, "I will deliver it to my seat when it is baked." That's why in the store. I'm wondering about it, "Egg Sand" 900 yen and "BLT Sand" 1200 yen Drink is 600 yen of milk from Biei recommended. Because there is only a bread specialty store, the bread used for sandwiches differs depending on the menu, egg sandwiches are made from Canadian pullman, and toasted BLT uses Japanese wheat square food. If you drop the ears of the bread, or if you drop it, only your ears will be served separately, but both of them "loaf bread ears" so they were left as they were. I like the skin of bread. It is a "sasuga bakery" with a combination of a slightly salty pullman, a slightly sweet square food and a perfect match with each ingredient. The bread you booked while saying satisfaction arrives, the exquisite timing. Next time, I would like to try French toast. It seemed to be delicious that the next seat was eating.

1-2-1 St. The bakery Ginza 1-2-1 Tokyo Kosoku Doro Konya Building TEL3562-1016 Bread Shop is closed from 10:00 to 19:00 eat-in, so please check before going out.

 

 

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90th Anniversary of Tsukiji Small Theater - June 13, 1924

1. June 17, 2014 09:00

Have you seen the "New Play" recently? I haven't seen it for ten years now. Even though young people say "new drama", it has become commonplace to get them to know only when they say "the name of the theater company" and the affiliation of the actor on TV. . Tsukiji Small Theater, which has become the "source of all post-war new dramas" such as "Literature Theater", "Actor Theater", and "Meigaku", which are still active, opened on June 13, 90 years ago.

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Now, a lecture entitled "Thinking about Modern Theater from the 90th anniversary of the founding of Tsukiji Small Theater" is being held at Chuo Kumin College. The coincidence that the second day is just the opening date of 90 years ago. As you all know, Kaoru Osanai, who was already well-known, opened with the aim of becoming a `` permanent hall for theater laboratory theater drama, a playhouse for the people '' as being involved in the heat of young Yoshi Hijikata . The first performance is three works: "Swan Song" (Chehof), "Sea Battle" (galing), and "Crest Day" (Mazoo). You can see the names of Akiko Tamura and Korenari Senda in the program. Directed by Kaoru Osanai and Yoshi Hijikata. It became a base for new theater activities as an experimental site for modern theater, but three months after Kaoru Osanai died suddenly in December 1928, the Tsukiji Small Theater splits. The activities of the Tsukiji Small Theater ended in just five years, and after that, the buildings of the theater were burned down at the end of the war in 1945. However, it goes without saying that the Tsukiji Small Theater had produced many human resources who were active in the theater world, became the roots of the existing theater company, and "all sources of post-war new drama" was located at this Tsukiji Small Theater. Professor Kodama of Waseda also mentioned, but the characteristic of Japanese theater is that "genre accumulates-layering". When a new theater is born, the previous theater does not disappear, but each one continues to live-a rare phenomenon in the world. This is why we can now enjoy theaters of various genres. Is this why we can't "dispose"? After a long absence, I came to see the "Monument of Tsukiji Small Theater Ruins" and thought about something stupid. Why don't you think about the theater people who founded a passionate passion for the 90th anniversary and dedicated it to theater activities?

"Monument of Tsukiji Small Theater Ruins" 2-11-17 Tsukiji Building Wall of NTT DATA Tsukiji Building

 

 

"I've been waiting!" Nizaemon who returned to Japan-June Kabukiza Theater

1. June 8, 2014 09:00

Nizaemon, who had been resting due to the operation of the right shoulder tendon board fracture, has returned to the stage for the first time in seven months since October last year. It's been a long time to see the face of Matsushimaya Bancho at the entrance of Kabukiza.

 

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Performed at the last dance "Festival" in the afternoon. It is the same performance as when I returned from a major illness 20 years ago. When the curtain opens and the onion curtain is dropped, it applause. When you hear a voice saying "I'm waiting!" From the other side, it is promised that Tobito respond, "Thank you for waiting", but from the back of the first floor seat that is not over there. I've been waiting for 7 months, so I understand my feelings well.

"Kamimi" is his grandson Chinosuke, a third-year junior high school student. According to an interview, he follows the advice of the 18th generation Kansaburo, "The entanglement is refreshing at the festival after returning." While I haven't seen it on the stage for a while, Chinosuke has become quite mature. After the curtain came down, a middle-aged man in the next seat tweeted "Happiness!" seemed to represent the mood of the audience. It is also a hot topic that Taiga-kun, the eldest son of Matsu Midori, will be the first stage as Sakon Onoue, the third generation in the evening section "Ranpeimono Kyo".

 

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The daytime section is Kuniyama San's "Haruka Kabuki Soko", "Mimori Monogatari", Oishi's last day, and the nighttime section is "Sotofusuma Raku" and "Mezuki Hachiman Festival".

For inquiries until June 25, please contact Ticket Hon Shochiku 0570-000-489 (10:00-18:00).

 

 

 
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