Chuo-ku Tourism Association correspondent blog

This weekend I saw the Sanno Festival. Unfortunately, it was raining on Saturday 9th, but Saturday turned around.

We were blessed with the weather and there were a lot of spectators.

It was a masterpiece to see the portable shrine of each town council gathering and walking along Chuo-dori. 。

The photo above is a portable shrine that walks in front of Meijiya.

Anping Inari Shrine is enshrined near Kyobashi Plaza and Miyoshi Bridge.　I've been studying the history for many years, but I found a description in the local archives of the Kyobashi Library.

According to the 1956 edition of Ginza Times, "Ginza Yearbook" edited by Ginza Times, the address was east 1-2, Suzuki Senkichi's residence.　It was located in the residence of Minomori Shinjo during the Edo period, during the old Makuhaku period, and after the Meiji Restoration, the place was obtained by the predecessor, Senkichi Suzuki, and when opening Wan'an Tower in 1893, it was named Anping Inari Shrine. I worshiped it. "　The following is an example.

　I was able to see it on the map of the early Meiji era obtained in the local archives.　

I thought about the background of that era, the settlement, and the origin of the name of Shintomi-cho.○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○   

　It is an Abira Shrine with such a history.　Even now, it is a scene where the neighbors pay tribute to the custom of greeting each morning with two bows, two beats, one bow, and one bow.　

Why don't you visit the history of one corner of a large apartment and rest your mind?

　Hisaya Morishige (1913-2009), a famous actor who won the Order of Culture and the National Honor Award, and Kuniko Mukoda (1929-1981), a scriptwriter and still very popular. To commemorate the 100th anniversary of Hisaya Morishige's birth and the 30th anniversary of the founding of the Kuniko Mukoda Prize, an exhibition that traces the interaction and success of the two is being held in Nihonbashi.

　[Hisaya Morishige and Kuniko Mukoda Exhibition]

　　Wednesday, June 6　→　18th (Mon)　

　　Gallery on the 7th floor of the new building of Nihonbashi Mitsukoshi Main Store

　　Admission fee: 800 yen for general and university students

　Hisaya Morishige, who fulfilled his 96-year-old natural life in 2009, and Kuniko Mukoda, who was scattered in a Taiwanese aircraft accident at the age of 51. In the fall of 1959, Kuniko Mukoda, who wrote the script for Shigeru Mori's radio program "My wife's hand is as it", was recognized by Shigeru Mori, and after that he was assigned to screenplay a radio and television program that he appeared, and his talent blossomed. , "The grandchildren of the Seven", "Dain's flowers", "Time", and "Kintaro Terauchi". "I'm a Zub's amateur today because Fudoshi or Tsutsugi suddenly borrowed a yokozuna's chest and bumped into it" ("Hisaya Morishige"), she thanks. Shigeru Mori, who lamented her sudden death, offered a phrase in front of the grave on the third anniversary.　

　"Flower savory flowers with a scent of flowers."

　Both of them were born and raised, and have no connection with Chuo-ku, but Kuniko Mukoda was an editor of a movie magazine before aspiring to become a scenario writer, and the publisher, Ochisha, who had been in office for nine years, was in Edobashi. The first essay collection of 1978, "My Father's Apology Letter", 24 editions (the right hand could not be used due to the sequelae of breast cancer surgery, it was written with the left hand) were published in "Ginza Hundred Points". In addition, she was told that the four brothers and sisters were born unintentionally thanks to the bills of Suitengu, and left an essay `` Visit the remnants of Edo in Ningyocho '' that spelled out the charm of Ningyocho He gave me

　It has nothing to do with Chuo-ku, but one serpent here. Hisaya Morishige settled in Setagaya shortly after the war, but the road from the nearest Odakyu Line Chitose-Funabashi Station to Shigeru Mori House was called "Shigeru Mori Street", but two years ago Setagaya-ku A naming ceremony was held with this common name as the official name. Shigeru Mori's residence has now been changed to a luxury condominium, but the name displayed at the entrance is "SETAGAYA TEVYE". It is named the main character of that famous stage "Violin Playing on the Roof", which boasts 900 performances.

[On the photo]　Exhibition hall at Nihonbashi Mitsukoshi Main Store

[In the photo]　Tomb of Kuniko Mukoda (Tama Cemetery)

　　　　　　　"Hana Hiraki ..." is on the book-shaped monument on the right of the tombstone.

[Lower photo]　Tomb of Hisaya Morishige (Yanaka Cemetery)

The second-generation Saruo, the fourth-generation Sarunosuke, and the ninth-generation middle car were announced. On the first stage of the fifth-generation Dango, the first-generation Saruo, and the third-generation Dan Shiro 50th anniversary, June Kabuki started yesterday. In the field of video, the popular Kabuki actor Kamejiro, and Teruyuki Kagawa, a talented player in the field of video, the first Kabuki challenge, and the top topic of the entertainment world beyond Kabuki fans. I managed to get a ticket for the second day and go to theater noon. In the morning, it was unfortunate rain, so I stopped the kimono I was looking forward to saying, "Let's wear it for the attack performance!"

Next to the stage photos of the first Saruo and the third generation Dan Shirojo, there are photos of cute Danko on the first stage this time.

Shinnakasha's first stage of Kabuki is the first performance in 10 years at a new Kabuki written by Kido Okamoto, "Kogurisu Chobei". Since it was not a Gitayu, Shinnaka-san, who is active on TV and movies, seemed to be performing very comfortably. The presence on the stage is still a great deal. Well, it's finally over my mouth. The official curtain has been replaced by a celebration of Masaharu Fukuyama.

Everything in the theater is a regular pattern of Sawayaya.

It's a great applause before the curtain rises. Even if the curtain opens, applause will not stop for a while. It's always exciting to see executive actors lined up on the stage with the name of the attack. Shin-Sarunosuke's greeting, "I'm prepared to abandon my life for Kabuki", and Shinnaka-san's nervous mouth, Danko's first stage, said, "I want to be a much better actor than Saruo's grandfather!" Also applauded again. When all the greetings are over, the sliding doors in the background open and Saruo appears! I was impressed for a while with a cheerful voice saying, "From corner to corner ..." The applause will be even greater.

The other act is a luxurious version of "Shinokiri" of "Yoshitsune Senbonzakura", "YoshitsuneShizuka Gozen" played by Fujijuro and Hidetaro. Shin-Sarunosuke's fox Tadanobu didn't seem to be very first when he worked for the first role at the Kame Jiro no Kai, but it's amazing with the ever-evolving fox Tadanobu! That's a word.

The attacking goods are so noticeable, but please use only one-stroke notes for the two people and look forward to the evening and next month. Next month, Saruo will play Hisayoshi Mashiba and return to the stage, and that alone will be a hot topic. It seems difficult to get a ticket again.

When I left the theater in prayer for the prosperity of Sawayaya Ichimon, it was completely clear.

June Daikabuki The night part is "Yamato Takeru" until June 29.

Tickethon Shochiku 0970-000-489 (10: 00-18: 00)

 On June 5, two days earlier than normal and five days earlier than the previous year, the Tokyo region declared the "true flowering of hydrangea", and Iriume is approaching.

Hydrangea, which is planted along with the street tree "Toka maple" (also known as Sankaku maple) on Ginza Kojunsha Street to Ginza Mihara Street, also adds the color of early summer.

The most common "hydrangea" covers the central 'true flower (bisexual flower)' and forms a spherical inflorescence of 'ornamental flower' (singular flower/neutral flower)', but the flowering of "hydrangea" means "the first day when the 'true flower' of the standard tree blooms in two or three flowers."

Hydrangea has many varieties that have been crossed and improved, so you can enjoy a variety of diversity, including the differences in the shape of "Gakusai" that ornamental flower surrounds bisexual flower and the "Temari" that ornamental flower forms a densely populated inflorescence, the way ornamental flower blooms, such as single and Yae, and the shape and color of petals.

In the season when the rainy season sky continues and people's hearts tend to be depressed, the calm and calm flower color and the changing atmosphere, which is said to be seven changes, heal the mind.

　Reappeared from the works screened in 2011 at the Film Center Small Hall.

There are strict rules of rules with a capacity of 151 underground, and I hope you will be able to go with plenty of time.

It is a 6-day screening from Friday, Saturday and Sunday from June 8 to June 17.

 1:50 on the 8th "Makie-Gonroku Matsuda's work, Iro Nabeshima." 6:00 "Mogura Yokocho" supervisor Hiroshi Shimizu, Shuji Sano, Yukiko Shimazaki.

 0:00 on the 9th "Lemming" 2005 (France) Supervisor Dominik Moll. "Ginza Woman" Supervisor Kozaburo Yoshimura, Nobuko Otowa, Sumiko Hidaka.

0:00 on the 10th "Evil no Boku no Shin" supervisor Yasuki Chiba, Masayuki Mori, Yoshiko Kuga. 3:30 "My uncle," Jack Tachi.

2:00 on the 15th "A certain woman" supervisor Shiro Toyoda, Machiko Kyo and Fumiko Wakao. 6:00 "White Rose of the Iron Path", Abel Gance

0:00 on the 16th "Be a woman" Supervisor Yuji Kawashima, Setsuko Hara, Yoshiko Kuga, Kyoko Kagawa. 2:50 "Makie / Color Nabeshima" (record).

0:00 on the 17th "Mogura Yokocho" 3:00 "Reming".

Each movie had a good reputation, but the only silent movie, "White Rose on the Railway", is attracting attention.

This movie is a quoted article from Tadao Sato's Kinema Junpo's Best 200 European Films (1984 edition), but I will introduce it.

―Japan was released in 1926, but the excitement I gave to a young Japanese film at that time was great, and for example, Akira Kurosawa and others counted this work as one of the excitement of youth who made this film aspirations for film.―

I saw it a little earlier last week.

Small Hall of Film Center, National Museum of Modern Art, Tokyo

Telephone 03 - 5777-8600

http://www.momat.go.jp/