Official

Born in Kanagawa Prefecture in 1955.

Graduated from Tama Art University (Design) and graduated from Musashino Art University (Japanese painting).

In the process of exploring Japanese painting's expression, he meets traditional craftsmen and learns the skills, materials, and hearts of craftsmen.

The words of the craftsman I met on the way to collect "soil" and use it as one of the art materials.

When you leave yourself to soil and Japanese paper, miracles sometimes occur.

I think one work is a collaborative work with nature, materials, and painting.

At the same time, the exhibition was co-hosted by the "IMANOMA" exhibition on the theme of modern room service (2019), and exhibited at shrines and temples such as Odawara Shizukatei (former residence of Marquis Kuroda Naganari).

Many exhibitions in Japan and overseas such as Salon de Tone.

2012 France Contemporary World Art Exhibition Salon de Tone Prize, etc.

"I was a longer design, but I've been designing for a long time, and what was my expression?"

Suddenly, I try to draw a Japanese painting.

I also wrote letters and did various product packages, but I liked the smell of ink.

That's why I decided to draw Japanese paintings.

Suddenly, I went back to college.

Is it 15 years old (Japanese painting's) experience?"

"Niigata's Kadodewashi is also an interesting person, and when I met him, I was told, "My paper is scary."

I can't draw if I want to draw as I want, I'll leave myself to the other person first, from there, I ask you about the depth, nature, situation, etc. and express things, I want to include the disappearing culture that should be left together and the stories of such people. ]

Then I would like to introduce some items.

All prices are tax-included.

Rock paint, soil, ink, etc.

Japanese stalemate, 3,000 stalemate

Hon Mino Paper (Mino Bamboo Paper Studio: Takehisa Suzuki)

Omotes (Daikeishi Keishindo Inazaki: Masahito Inazaki)

"All of my works have time, but I have time to live, and I want to draw more time to inherit.

This folding screen is also a work in which the sun takes water into soil and the accumulation of life leaps with various thoughts.

Let's start the wind by connecting time simply, honestly, quietly and calmly, where nature is passed on to nature. "

"Shosoin's mulberry and millennium-year-old mulberry remain the oldest, but Mino's papermaking (Kamisuki) remains.

This folding screen paper is made of Hon Mino paper and Nasu Kozo made with Mino.

There are four Mino craftsmen, one of them, three pieces of paper made by Takehisa Suzuki, are in Hamacho's Daikyoji Omotesou (Kyoshindo) Keishindo Inazaki. I was connected to the oldest mossist in Edo.

I've been studying there all the time.

There seems to be almost no one who can do this right now.'

"In me, I want to make a very simple expression of 'connecting time'.

Except for patina (rokusho), ivory, and chalk (white pigment), all in soil.

In the soil that I collected on my trip.

I think the soil is the accumulation of life.

It is a work that connects the accumulation of life.

Japanese paper, fan, black paint

Rock paint, gold leaf, gold mud, Japanese deer glue

Washi/Mino Washi/Mino Washi/Mino Kozo

Fan/Ibasen (Bamboo/Shiga, Processing/Nara, Tailoring/Kyoto)

Everyone, you think, "The order of introduction on the front and back of the fan is reversed."

This is the characteristic of Dr. Inazawa's work.

The surfaces that follow from the name of the work apply to many simple surfaces.

It depicts that it spread as a ripple on the opposite side.

"Because it is in me that static and motion, this is both moderate, and only with this balance, something moves and winds wake up.

In that sense, one energy falls down, and it moves.

If you draw quickly with ink or gold, you will be able to draw a very beautiful whirlpool.

Rather, I want to draw something like a time when various things will happen as energy.

So the one with the points is the table.

"The fans were all made by Ibasen.

This time, Iba Sen was very helpful.

In addition, "Folding" is a ceramic artist: It's a work by Dr.

130 x 130 x 60mm 13,200 yen

This time, you can see from the large pattern to the small pattern.

When you open the watermark, the picture on the front and back overlaps, and the fish is reflected in front of the eagle's beak.

"There is a fish at this moment, but whether it was caught by an eagle or escaped depends on the feelings of the person holding the fan.

But both are important in terms of the food chain."

This fan is a work that leads from the flowering of grapes to fruition.

"I like the mountains of the field, so the flowers of the grapes bloom, and there are bees there, one time to grow from the bees, nature, human beings themselves, hearts and emotions are fine, and anything is fine However, I hope that such a thing can be made into one fan.

In the passage of time, the wind will be raised by yourself.

Japanese paper, fan, Karaki

Ink, gold mud, main vermilion, persimmon astringent, Japanese deer glue

Japanese paper / Mino Japanese paper / Mino mulberry

Fan / Iba fan (bamboo / Shiga, processing / Nara, tailoring / Kyoto)

It's a good color. It's popular.

The fan itself is "strong."

The moisture varies depending on the season, but it changes other than that, but I think this paper and persimmon astringency were very compatible. ]

"It may be the first time I started making Edo fans from the Kyo fan, but Iba Sen may be the first. "

The left and right are different "heart mirrors", but the left shows the persimmon astringent surface and the right shows the non-performing surface.

Before the explanation of the fan

Above: Soil and milk bowl

(How to make paints by Dr. Inazawa)

Sieve the soil collected while traveling.

Wash the sieved soil and dry it naturally

Based on this, make the desired fineness with a milk bowl etc.

Left of the fan: Glue

Japanese stale (Japan Cultural Asset Support Organization), 3,000 stalemate

The fan has the surface of "cherry blossoms".

Japanese paper, fan, black paint

Ink, rock paint, Saturdays, and Sun Honga glue

Japanese paper/Mino Japanese paper/Nasu mulberry

Fan/Ibasen (Bamboo/Shiga, Processing/Nara, Tailoring/Kyoto)

"The work starts with 'Eiya'.

From there, "coincident" is born little by little.

Japanese painting usually draws the stagnation of "Dosa".

Everything, the paper remains raw, so it oozes freely.

What should I do after drawing "Eiya"?

・・Thank you very much, Dr. Inazawa.

In addition, there are works such as crows, the opposite is true, the cherry blossoms dancing in the wind, the cherry blossoms on the other side at night, and the flower raft flowing into the river.

Please take a look at it.

2-2-1 Nihonbashi Muromachi, COREDO Muromachi 11F

Exit A6 of Mitsukoshimae Station on the Tokyo Metro Hanzomon Line and Ginza Line.

０３－３２４１－０１１０

Operations have been resumed with a shorter time since May 29.

Business hours Weekdays from 11:00 to 20:00

　　　　　Saturdays, Sundays, and holidays 11:00 to 19:00

It's open except New Year's Day.

Click here for Kiya's website.

⇒　http://www.kiya-hamono.co.jp/