Official

Greetings

In this exhibition "GEIDAI UNDERGROUND", 10 works selected from a wide range of fields through on-campus selection from the Graduate School of Fine Arts and Fine Arts of Tokyo University of the Arts in 2020 will be exhibited for three consecutive periods.

I hope you will see a number of works full of youthful energy and motivation, and enjoy the charm of vibrant culture and art.

At the Metro Cultural Foundation, I sincerely hope that young artists will take advantage of these opportunities and make a leap forward.

Exhibition Period: May 1 (Sat) to August 9 (Mon), 2021

Organizer: Metro Cultural Foundation

Planning Supervisor: Tokyo University of the Arts

Configuration: Junji Ito

(The picture at the beginning is also a part of this work.)

They made tools that came from their hands.

I'm interested in people's hands.

Simply beauty as a form, and suppleness when having a relationship with things.

I thought that the way to realize and convey these charms in a certain way was to draw pictures, shape them, and incorporate them into your life as a tool.

"Hand" as a visual, and "Hand" when they are made up with functions.

They aimed to stand gently in our lives as if they were someone close to us.

For graphic designers, what are shapes, shapes, and expressions?

I wanted to pursue such a thing, so I challenged my graduation production.

We propose this series of processes itself as a new form of graphic design, both plane and three-dimensional.

There are several Japanese phrases such as "insects are bad whereabouts" and "insects are known" where "insects" appear.

I think these explain changes in feelings and predictions for unclear reasons, based on insects.

I was fascinated by the humorousness of the idea that ancient Japanese perceive invisible things as "insects" and the strength of trying to face feelings by verbalizing them.

My work is an image of a fictional insect that rages in a person's stomach and affects people's feelings.

The motif is based on experiences and what I have seen, which may have influenced my way of thinking and personality.

If there is a shape in an insect that brings a change of feeling or a prediction, I think it looks like this.

As a person lives, there is a difference in the choice of moments.

There is good and bad for each person.

No matter how small the choice is, no matter how large it is, it is not possible to make a good or bad decision for each choice.

The aperture, which is a forging technique, holds raw life on a steel plate.

The tension is tight when you touch it, but it makes you feel warm somewhere.

Taking advantage of this nature, I made the theme of "people choose something, whether it is good or bad for that choice."

When the thread picks the tip and drops it on the floor, crawls while turning, adheres to the window with rain grains as if there is a destination, and when the rain rises, it is entangled with a tree branch somewhere.

All of them look like images, and at the same time the thread has a net-like role that catches what is coming next.

Write what I saw as words.

They accumulate as subjective sentences in the order in which they are blinded, but when they try to paint them, they gradually dissipate, entangle, and create a blank space.

And the sights that I should have been present will lose their names.

Ginza Station on the Tokyo Metro Ginza Line, Marunouchi Line, Hibiya Line

Near entrances B7 and B8 underground concourses