Official

At the University of the Arts Art Journey Exhibition, we will introduce 10 excellent works selected from the graduated and completed works of Tokyo University of the Arts in 2021 three times.

A variety of works created by making full use of various specialties such as painting, crafts, design, and intermedia art will appear.

Please enjoy your trip around art while feeling the whole expression of young artists flying off from the University of the Arts.

Exhibition period

From April 26 (Tuesday) to May 25 (Wednesday)

2nd May 27 (Fri) to June 26 (Sun)

From June 28 (Tuesday) to July 28 (Thursday)

Host:　The Metro Cultural Foundation

Planning Supervision:　Tokyo University of the Arts Social Collaboration Center

When observing the locality of an object in space, the observation of the whole is incomplete.

On the other hand, I am thinking whether the observation of time is incomplete.

When I observe something "present", I cannot observe that past and future at the same time.

The past exists in my subjective memory, and the future is in my imagination.

In this work, I am trying to make the past and future appearance of people jumping into the water present "present", show the completeness of time, so that the audience can observe the past, present, and future at the same time.

However, splashing people (water flowers) is one of the possibilities of the future and may not occur.

We are seeing the act of stabbing a needle into the skin, not the handle.

We look at the act of stitching into the skin not at the pattern.

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In terms of design, it does not become the consciousness of the existence of tattoos, but it is meaningful for the act of adding tattoos with pain.

The people of Edo, who had been deprived of weapons, pushed their weapons into their skin in a oppressed society.

It goes back to the tattoo of the Edo period, which began to have a meaning as a sign of rebellion, and attempts to visualize the unique perspective of Japan.

Is the "normal" you think really "normal"?

It may not be "normal" for someone close to you.

This work is a cup holder that uses a soft metal called tin (tin) and has a grip that fits the hands of a bent if you hold a little effort.

We sought a new form of inclusive × crafts with the aim of creating crafts that are not bound by such concepts according to religious raciality.

Ginza Station on the Tokyo Metro Ginza Line, Marunouchi Line, Hibiya Line

Near the entrances B7 and B8 underground concourses

※　The center of the map above is the red frame of "Current location".