Official

This time, I heard about "Edo Yoseki", which is held two or three times a month at Edo Nihonbashi-tei. Even though it started at 1:30 pm, the bench on the table shows the customer's appearance for more than an hour.…。 As expected, the signboard project of Edo Nihonbashi-tei. There are many customers who are looking forward to it.
30 minutes before the show started, the glass door at the entrance opened large. Take off your shoes, change them into slippers, and pay the entrance fee at Kido. Admission fee is 2,000 yen on the day, advance sale 1,500 yen. Pre-sale is absolutely advantageous because it will be a pre-sale price just by telephone reservation! That's right.

When I went inside, about 80% of seats with more than 90 seats were already filled. Do you have a lot of regulars? Because it's an unreserved seat, I first sat in the empty last row. When I settled down in my seat, I suddenly felt thirsty and wanted to drink tea in a plastic bottle.…And I feel a little anxious. When I looked around the area, I found someone reading a newspaper with a beer in hand. Seeing that, I also gently bite some tea. After a while, the staff of Edo Nihonbashi-tei came to collect empty plastic bottles and cans in one hand of garbage bags. I am relieved that eating and drinking was not prohibited.

A few minutes before the start time, the sound of the music began to appear, and the door of the hall was closed.
The curtain opened exactly at 1:30, and today's top batter, Ryutei Rakubo, appeared. Ryutei Rakusuke's fourth disciple, goes to the story of "Child Home" as if it flows from the makura with a firm and slightly lower voice. In order to manage to drink Tada sake, I asked the retirement to praise and wisdom for good praise, but Kumahachi, who fails at all due to lack of application at all, seems a little sad, but lovely. A little shy smile occurs everywhere in the audience.
Next is Rakugo, and the second Shunfutei Shokichi appears. The story is a new rakugo story featuring a real man. Inaba, who received a publicity tissue of a shop that offers a little eccentric service, and if he could not return home with his beloved wife, he would be disturbed many times even though he tried to dispose of it, Inaba's impatied depictions are truly imminent and I laugh unintentionally. In the last one, what will happen to this story? I was a little worried, but that's a professional. The lowering was also wonderful. As expected, a rakugo artist from the University of Tokyo.
Next is a talk by Konagi Kanda, "The Woman of the Akumadan." It is a story that a scammer from a circus called Orchid falsely had signed a couple promise with a young man who died in the war, stealing incense, but after many twists and turns, he really became the bride of the house. It seems to be a story based on a true story after the war. The voice of the orchid played by Konagi was very glossy and wonderful.
At the end of the match, Mr. Takezo Tachibana appeared again in rakugo. As soon as I went up to Koza, there was a shout of "Plenty!" from the venue. Do you mean your body type for a moment? I thought it was rude (sweat), but in fact, it means "Please do plenty of that masterpiece." "Funatoku" told me plenty of this day. It is a story that Tokubei, a young husband who was charged with his parents, wants to become a boatman in a boarding house where he is living, but a powerless young husband inadvertently debuts the boatman, and the place where he manipulates the ship while saying Fufu, You will be able to put your body up to this point.

It started with a 10-minute contact between Hayashino Konomi's furoshiki comic talk. After introducing how to use furoshiki that can be used in various situations from daily life to disasters, using a large red and white furoshiki, a bride's cotton hat, a nurse cap, a bus guide hat, a twisted headband, a machiko roll, a boy scout, a broken person (triangle band), etc., shows the arts that create various shapes in an instant. If you remember how to make a backpack using two furoshiki, it seems useful in case of emergency.
And the bird of this day was "Parent and Child Sake" by Sanyutei Korakushi. A story in which a parent and child who loves alcohol promises to refuse alcohol, but steals each other's eyes and drinks, and finally becomes a parent-child fight. My father, who was drunk, said, "I can't give my personal to monsters with so many faces," and my son is a son, "I'm going to get a house that goes around like this." Many people know the sedge that returns.
In fact, I moved my seat in front of me while I was in the middle, but while listening to the rakugo of the master, I praised myself myself (that was a nice decision ...) (laughs). The Edo Nihonbashi-tei is close to the performers and the audience seats, and the sake-loving father played by the master of the music can see the hand and expression of drinking lovingly so that they do not miss a drop of sake from a distance of about 2 to 3 meters. There are not many other theaters where you can enjoy that masterpiece at this distance.

This time, the `` Edo Yoseki '' that I bothered is `` Each faction joint vaudeville '' where performers from different affiliated organizations such as Rakugo Arts Council, Enraku Ichimon, Tachikawa-ryu, Kodan Association, Japan Kodan Association, Tokyo Performing Arts Association, etc. It is a joint vaudeville ". This program is recommended not only for those who like traditional performing arts, but also for those who are new to rakugo and talks. Why don't you go to Edo Nihonbashi-tei to experience the first laughter of Reiwa?

■Edo Nihonbashi-tei
http://www.ntgp.co.jp/engei/nihonbasi/

〒3-1-6 Nihonbashi-Nagatani Building 1F, Nihonbashi-Honcho 3-chome, Chuo-ku, Tokyo 103-0023
2-minute walk from Exit A10 of Tokyo Metro Mitsukoshimae Station
3-minute walk from Exit 4 of Shin-Nihonbashi Station on the JR Sobu Line
7-minute walk from Kanda Station on the JR Yamanote Line